borrowing eloquence
Posted in showbiz on 11/24/2008 10:07 pm by admini am quoting this from a comment left in response to Variety’s Peter Bart’s blog entry re: SAG trying to create a doomsday scenario with the strike authorization vote. thanks, svetlana, for putting this so intelligently.
This guild was founded in the depression. The current one (yes, sweet people, I think it is a depression) is not reason for hard working Actors to fail defend their Liberty, i.e. wages, residuals and working conditions. This is really tough, as I am still reeling [sic] from the WGA strike. This is an attempt for business organizations that use a multitude of questionable accounting practices to steal what little the majority of actors depend on: their residual payments. Producers should be aware, that among the ranks of SAG’’s membership stand people possessed of all the expert skills and the capital do well without the Studio Structure to produce wonderful films and television. If the financial geniuses at the head of the industrial structure at present cannot see which side of the coin is uppermost in the contract proposed by SAG, they may well just as well move on to other divisions in the non-entertainment corporations that now control the most of the studios. Let hem go ahead and work on wind power generators, or microelectronics. Disney will not even seal a bargain with their Hotel workers in Anaheim after about ten months without a contract. As for Actors, on the SAG side of the street, we have been for the most part, on unofficial lockout since the end of the WGA strikes anyways. I am right there with Joe Hill, who said, “I will die like a true-blue rebel. Don”t waste any time in mourning - organize.” And yes, Actors knew this was on the horizon, and that we would have to finish the work begun by the WGA. Also remember that any honest producer can still sign the Guaranteed Completion Contract, as best as I understand, and to our sisters and brothers in the craft unions, I would be foremost in encourage anyone you are aware of who wishes to begin a production to sign that agreement for their company, and get to shooting.
